Christy Moore: 3 November 2018 at The Barrowland Ballroom, Glasgow
On a rainy Saturday night in Glasgow I made my way through the streets of the East End towards the Barras. The streets that had welcomed 60,000 football fans only 2 hours earlier were now quiet with only the sound of a few passing cars & the early evening rain hitting the ground to break the darkened silence.
I reached a bend in the road where I caught a glimpse of the shining neon lights of the Barrowlands & at once the darkness was lifted & the silence broken with the noise of concert goers & football fans mixing in & around the bars of the Gallowgate.
With a small queue already formed along the old shopfront of Bairds bar & the call from the stewards to have tickets ready we made our way to the entrance. Signs on the door confirmed “No cash machine, no contactless & no switch card payments inside. The bar in main hall would be closed & any drink would need to be consumed in the downstairs bar”. Welcome to Christy Moore at the Glasgow Barrowlands.
A walk up the stairs into the bar to grab a few drinks before the show and you see the impact Christy Moore has on people of all ages & backgrounds. Whether it’s football fans still decked in colours who made their way straight to the gig post-match, consuming pints, or long time listeners who have been on the road with Christy (& Paddy) since 1969, everyone here loves to hear the musical narrative of a career spanning almost 50 years.
Making our way to the main hall, the venue was already brimming with expectation & after a short wait Christy Moore, Declan Sinnott and their musical collaborators walked on stage to a huge welcome.
Opening with City of Chicago, Black Is The Colour and North and South Of The River set the tone for a sublime evening of entertainment. With a seemingly unlimited number of songs from his career, I can’t imagine any two of his concerts ever being the same.
As with most artists there is an appreciation of the host city & venue. At times you think this is over manufactured, but Christy Moore goes way beyond his acclimation. He cements his love of the hosts and dreamers by delivering his lasting appreciation through his song, Barrowland.
The touching & sometimes haunting lyrics of the set list together with the musical arrangements are enough to make you feel every emotion. From the joy of Joxer Goes To Stuttgart, the hope & camaraderie of the International Brigades for Viva la Quinta Brigada, the despair of the story of the Magdelene Laundreries, and the love of The Voyage, Moore paints a picture as colourful as any artist.
The social & political edge on which Moore built his many followers in Glasgow was in full view of the 2000 strong crowd. Fidel Castro’s name rang out as no Ordinary Man amongst the cry of the morning. Towards the end of the 20+ song set list, you begin to ask yourself what song would I like to hear next, what has been omitted, but in truth you are happy to be part of the Cabaret.
The night’s entertainment finished with a rendition of Fairytale of New York and commentary from Christy Moore on his love of fellow lyricist, Shane MacGowan. Leaving the venue you can’t help but smile knowing you have heard a master performer at his very best.
Viva la Quinta Brigada
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